I'm on a plane flying to London with Vanessa Redgrave. We make our way to one of the high floors of an enormous hospital building made of stone. It is easily seventy or eighty stories high.
We are here to visit Vanessa's sister, Lynn, who has just had a stroke. We spy her from across a crowded waiting room. She is in a hospital bed, but she appears healthy and she smiles when she sees us.
As we approach her bed, it is apparent that Lynn now has her own room and is no longer in the waiting area. Vanessa and Lynn kiss and exchange greetings. Lynn looks at me and exclaims, "You dear, beautiful boy!"
I say hello as well, then decide that the two sisters should have a little privacy. I excuse myself, go out in the hall and look for a place to sit.
It does not seem like a typical hospital. It's more like a gigantic airport lounge, with row after row of plastic orange seats all filled up. Finally, I come to a doorway, look inside, and see an empty bed. I decide to lie in bed amongst the patients until it is time to go back to see Lynn.
I pick up a pornographic magazine from the nightstand. A doctor appears through some curtains, assumes that I am a patient and inquires about taking my temperature. I explain that I am just a visitor and that I couldn't find an empty seat in the waiting area.
I go back to Lynn's room, say a few pleasant words, then leave with Vanessa to allow Lynn to rest. In the hallway we run into the doctor. It seems like only now does he believe that I'm not a patient.
Back in America and not quite sure how I got here, I am walking around Midtown Manhattan when I see a gigantic electronic billboard on the roof of a Broadway theatre. The billboard is showing a video of Lynn performing in a play. I think to myself that the footage must have been shot before Lynn's stroke, and that surely she must have been forced to withdraw from the play. But as I head into the theatre through the stage door and into Lynn's dressing room, I am delighted to see her sitting at a dressing table, returned to health, happy to see me and preparing for a performance.
I am now part of the audience watching the play. Lynn Redgrave is not on stage, but Vanessa is. Lynn sits in the row behind me chatting and not paying much attention to the play. She looks just like she did when she played Baby Jane Hudson in the TV remake of Whatever Happened To Baby Jane. Wearing an over sized child's party dress, her face is covered in white powder with two rosy cheeks painted on and her long, brittle red hair is pulled into two grotesque pony tails on either side of her head.
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